Frankenberry, Laughlin and Constable

In this 1988 political advertisement, Bush, George Herbert Walker (George H.W.) criticized Michael Dukakis’s handling of the Boston Harbor pollution problem during his tenure as Governor of Massachusetts. Through images of pollution and text overlays, the advertisement suggested that Dukakis’s inaction contributed to high cleanup costs and questioned his ability to manage national environmental issues.

In this 1988 political advertisement, Bush, George Herbert Walker (George H.W.), critiques Michael Dukakis’s environmental record as governor of Massachusetts, emphasizing his inaction regarding the severe pollution of Boston Harbor. The advertisement suggests that Dukakis’s lack of effective environmental policy could adversely affect his potential presidency, as conveyed through a series of images depicting polluted waters.

In this 1988 political advertisement, Bush, George Herbert Walker (George H.W.) discusses his connection to Maine and its environment. Drawing on nostalgia, he emphasizes his commitment to environmental preservation, rooted in his affection for Maine’s waters. The background presents Bush in a setting that is both formal and personal.

In this 1988 political advertisement for Republican presidential candidate George H.W. Bush, the message critiques Democratic nominee Michael Dukakis’s record as governor of Massachusetts, citing broken promises regarding taxes, jobs, and government spending. The imagery depicts post-event disarray as a symbol of Dukakis’s failures, concluding with the assertion that the United States cannot afford to risk a Dukakis presidency. Agent: Bush, George Herbert Walker (George H.W.).

In this 1988 political advertisement, George Herbert Walker Bush criticizes Michael Dukakis for what it portrays as lenient prison policies during his tenure as governor of Massachusetts, claiming that such policies led to serious crimes committed by inmates on furlough. The advertisement employs imagery of prison environments, escape statistics, and the “revolving door” metaphor to reinforce its message.